Review Album Messiah: HIGH ON FIRE Electric
Friday, October 5, 2018
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“When Lemmy was still alive I perpetually got compared to Lemmy, thus I had this dream wherever he got pissed at American state," Matt Pike aforementioned within the buildup to electrical Messiah, High on Fire's eighth studio album.
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| Album Review Messiah |
The sludgy and hopped-up trio's player and guitarist's comparisons to the late Mötörhead mastermind square measure actually fitting. Pike's macabre howl shares commonplace with Lemmy's gritty snarl—both look damn smart while not a shirt.
additionally to those mentioned, each bands have longevity and a bequest. On electrical Messiah, Pike and his brothers in riffs, Des Kensel (drums) and Jeff Matz (bass) more cement that bequest joined of metal's systematically nice bands.
High aflame has gotten systematically higher also. particularly since they began operating with Kurt Ballou on 2012's Delaware vermis cerebelli Mysteriis. The collaboration between the renowned producer and therefore the port trio continues on electrical Messiah.
Like Delaware vermis cerebelli Mysteriis and Luminiferous before it, the new album options a number of the band's most infectious tracks nonetheless. Given their 20-year history and stacked discography, that looks like a task. However, songs just like the title track and "Freebooter" work feverish riffing and simple groove into sub-five minute samples. They rival classic tracks like "Rumors of War" and "Snakes for the Divine," that square measure staples in their live sets.
In addition to those fast rippers, High aflame delves into long-form epics like "Steps of the Ziggurat/House of Enlil" and "Sanctioned Annihilation"—the former is probably the album's strongest moment. Pike describes the track as his concept album.
“The song is that the creation story of the Sumerians, the weird categorisation of 2 gods fighting over power. I place it into 2 elements as a result of it’s my Sumerian concept album," Pike describes. "At the top, I play 3 totally different characters: I play the 2 brothers that clash, and that i play Isis, and there’s a high, medium, and low half.
It’s terribly theatrical. I felt like Meat Loaf doing it, however at identical time Bryan Sours at the studio went, ‘I don’t recognize what you simply did, however that’s fucking cool, simply keep doing that!”
In that quote, it reveals one thing concerning Pike, his bandmates, and his collaborators. they are having fun. twenty years into this project and they are still having a blast creating music and attempting new things. It actually shows within the quality also.
Time passes and for a few musicians, they become jaded, complacent, or unable to write down or play like they wont to. Yet, High aflame pushes onward with identical vigor and intensity that came with The Art of Self Defense and enclosed by Thieves.
Where some nice classic bands falter by the two-decade mark, High aflame is ostensibly at their strongest purpose. It's their best album nonetheless, in step with Pike, and it'd be arduous ironed to trouble him utterly.
It will build a stiff competition tho'. Pike and company haven't discharged a dud—that's another issue he and Lemmy have in common. electrical Messiah stands as High on Fire's most numerous and energetic album in recent years and therefore the band is tighter and powerful as ever. It's as if the spirit of Lemmy currently resides in Matt Pike.
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